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XXX Video Editing Guide

Every sheCRUMBLED XXX video is edited in two parts in DaVinci Resolve: a short model intro montage that opens the scene, and the sex tape itself. This guide covers both.

Part 1: Model Intro Montage

The scene opens with a short slow motion montage of the model, cut to our intro song, with her name as a title overlay. It's built from the sheCRUMBLED template.

Before you start

Import the model's 60 fps slow motion clips into your project. At this point the timeline is just the raw footage, one long run of clips.

The raw slow motion clips on the timeline, before any editing

The raw slow motion clips on the timeline, before any editing.

Step 1: Slow the clips to 40%

Our slow motion is shot at 60 fps. At 40% speed it plays back at a smooth 24 fps with no stutter.

  1. Select all the slow motion clips on the timeline.
  2. Right click and choose Change Clip Speed…
  3. Set Speed to 40%, leave Ripple Timeline checked so the clips don't overlap, and click Change.

Right click menu with Change Clip Speed

Right click a selected clip and choose Change Clip Speed.

Change Clip Speed dialog set to 40%

The Change Clip Speed dialog set to 40% with Ripple Timeline on.

Clips after the speed change

After the change, each clip is about 2.5 times longer. The speed icon on the clip confirms it was retimed.

Step 2: Trim to the highlights

Slowed down, most clips run several minutes and much of that is filler. Go through each one and cut everything except the moments where the model looks her absolute best. Be ruthless. You want a pile of short, strong pieces to pull from in the next step.

Clips after trimming

The same clips after trimming: noticeably shorter, with only the keepers left.

Step 3: Drop the highlights into the template

Open the intro template. The top video track (Video 1) is filled with color coded Slot placeholders, and the IntroSong sits on the Background Music track below with beat markers. Each slot starts and ends exactly on a beat.

Replace each slot with a piece of the footage you refined in Step 2.

Do not change the length of any slot. The cuts are timed to the beat of the song. Fill each slot with footage and keep its duration exactly as it is.

The template before

The template before: Slot placeholders on Video 1, the title on Video 2, and IntroSong with its beat markers on the music track.

The template after

The template after: every slot replaced with the model's footage, same timing as before.

Step 4: Add the model's name

The title clip sits on Video 2, above the footage.

  1. Click the title clip to select it.
  2. In the Inspector, open Video → Title. Under Fade On Lower Third → Controls you'll find the text box.
  3. Replace the placeholder text with the model's name in capitals. The template handles the letter spacing and fade.

The title clip on Video 2

The title clip on Video 2, selected.

Inspector with placeholder text

The Inspector showing the template placeholder text ("COOKIE").

Model name entered

The model's name entered ("KAT KYLE") and showing in the preview.

Part 2: The Sex Tape

The sex tape footage should be largely fine as shot. It doesn't need heavy editing, just a clean up pass.

Step 1: Fix audio pops and noise

Listen through for pops, thumps, or noise from someone bumping the mic, and remove them.

Step 2: Trim the start and end of each clip

The first and last few seconds of a clip are often dead time (setting up, getting into position, reaching for the camera). Trim them off so every clip starts and ends on the action.

Step 3: Pull out BTS and breaks in character

Watch for any moment where someone breaks character or the camera catches behind the scenes activity. Remove those moments from the main timeline and move them to the BTS timeline. Don't delete them: BTS footage is content too.

Step 4: Cross dissolve between major cuts

Wherever the sex tape makes a major cut (a new position, a new angle, a jump in time), join the two clips with a Cross Dissolve so the scene flows instead of jumping.

A Cross Dissolve between two trimmed clips

Two trimmed clips joined on the timeline, with a Cross Dissolve smoothing the cut between them.

Select the transition to see its settings in the Inspector. The defaults are fine: a 1 second (24 frame) Cross Dissolve.

Cross Dissolve settings in the Inspector

Inspector, Transition tab: Cross Dissolve, 1.0 second / 24 frames. No changes needed.

Step 5: Fade out the ending

Finish the film by dropping a Cross Dissolve on the very end of the last clip. With nothing after it, the dissolve fades naturally to black.

Cross Dissolve on the final clip end point

A Cross Dissolve on the end point of the last clip, fading the film out to black.